I was hired to fix a skipping virtual music sampler/drum machine, which was not looping “in time” with itself. After finding the source of the incorrect timing, the client kept me hired on to make various improvements and continue developing the game.

When Epic announced the Quartz Clock for Unreal Engine, I knew that Trent Reznor’s vision was now a possible reality. Epic was able to synchronize all game events to a metronome accurate clock. This is so huge.

As soon as Quartz Clock went in to Unreal Engine, I knew I had to use it. Creating procedural music was a no-brainer for me, as I just had to implement some MIDI charts and come up with some pretty chords, certain random chances for variations, and a whole…

Filmed at dawn on the Neil Gaiman compound where Bob Dylan recorded “Bringing it All Back Home,” I filmed this music video for the wonderful Brian and Olya Viglione, AKA Scarlet Sails in one day, utilizing the Ronin M stabilizer – and edited it within a week to premiere…

Many thanks to the band and crew for putting on a great show and being so welcoming. Special thanks to Jeremy Ian Harvey for his hard work making the animated intro titles, and Jamie Page Van Beveren for filming with me.